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The
song Santa
Fe,
track 5 from Radiant
Sky,
is the only piece on that release which features a
Native American Style flute. This is accompanied by
a lot of world instruments: Kalimba, Javanese
gongs, Gamelan, Ouds and tons of world percussion.
Since the flute plays a prominent part in this tune
we'll take a closer look at it here.
THE
FLUTE
The
flute is a NAF in the key of G minor pentatonic,
made of aspen wood by JP Gomez. of Heartsong
Flutes
This is one of my favorite flutes. It was one of
the first ones I got from J.P. and is still my "go
to" flute in that key. Here is a photo of me
performing "Heart of the Sky" at the 2006 Zion
flute festival.
I
can say without hesitation that JP's flutes are
some of the finest flutes out there. His sound is
clear and sings, the finger holes are well placed
to be very comfortable and, in my experience, they
are always in tune. Now I must admit that even
though I've owned this flute for some time and
perform live on it every show, until Santa Fe I had
not recorded it yet. This did not have anything to
do with the flute, but that I wasn't writing songs
for NAF much at the time, and not in the key of G.
So when I began to sketch out the ideas for Santa
Fe I did so with this flute in mind.
THE
TUNES
There
are about five tunes, or themes in Santa
Fe.
The rhythmic intro, the three flute themes and the
recurring oud/piano breaks. Everything bounces
along at a nice toe-tapping tempo and there is a
lot of interplay between the instruments. For most
NAF lovers however, the flute melodies are the main
element that grabs the listener. Rightly so, as it
plays the main tunes.
There
is a lot of syncopation in the first theme. The
clipped duration on the notes throughout the tune
accentuate this. The second theme is more driving,
although with still a lot of syncopation. The third
flute theme is more soaring, with lots of trills
and turns. The flute themes are in an AABBCCBBA
form. We could simplify this as ABCBA just make it
a little easier to get our minds around it. This
simplified form, however, does not take the other
themes into account, so the piece is slightly more
complex.
The
first A theme starts at Measure 24, the second at
measure 57. Then we hear the B theme at measure 75,
the second statement at measure 87. Then at measure
95 we hear the C theme. From that point on it
should be pretty easy to hear the different
themes.
Here
is a sample from Santa
Fe
with the first NAF A theme and a little of the
Oud/Piano theme, or interlude.
Each
time a theme occurs there is a small amount of
variation. This is either a change of the notes in
the tune itself or a change of what is accompanying
it, or both. Sometimes new material is added,
sometimes exsiting material is removed, or, again,
sometimes both happen. It can be really subtle, but
the listener notices on some unconscious level.
There are no rules.
THE NAF
SCORE
For
a while now people have been asking me if I'm ever
going to publish some of my music in a song book.
This happens to be an ongoing goal of mine,
especially the tunes from New
Fire.
I don't have "release" date, and am not even sure
if the demand is high enough to justify it. The
work is very time intensive and, up until recently,
required the use of an application that I don't use
a lot, so I'm always forgetting how to make it do
what I want.
A
few weeks ago however, I learned that with the
latest version of Digital Performer I can now add
the TAB finger charts directly into its notation
window! So I decided to arrange the NAF themes from
Santa Fe in TAB.
If
the response to this is positive I'll consider
putting more energy into a songbook of the tunes
from New
Fire.
For
the score to Santa Fe I kept a lot of the
ornamentations from the recording: turns, short
trills, etc., but I cleaned up some of the staccato
rhythms so it wouldn't look like a mass of 18th and
16th note rests. I also didn't worry about notating
the bends and chirps that I recorded. (To be honest
I don't think that people should even try to play
it just like I did when I recorded. Even I don't do
that when I perform it live. Where's the fun in
that?) However, if you play along with
Santa
Fe
you'll be able to hear the few little bits that
might not be in the score. The point, for me, was
to present a clean, easy to read notation of the
song. One that would be easy for most players to
follow.
It's
available for purchase below as a
8.5 X 11
printable
PDF file for $1.99, or for member's of my Email
List, for only $1.79.
If
you're on my Email List already you can purchase it
in the Member's Store. If you'd like to join my
mailing list you can sign up on the
Email
List Sign Up Page.
It's
easy and free. Plus you get discounts on all Cedar
Mesa Music products, Free MP3 downloads and my
online newsletter "Echoes From The Mesa"
If
you're not a member, and don't want to sign up you
can still purchase it below.
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Santa
Fe
from
Radiant
Sky
Score
for NAF TAB
8.5
X 11 printable PDF
$1.99
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Once
you place your order we'll email you a copy of
the PDF. If I happen to be at my computer you
might get it within five minutes, if not you
might have to wait a little. Hopefully never
more than a day. (Sorry, I don't have the
internet skills to make it download
automatically. And yes, I do run the Cedar Mesa
Music website...)
If
you don't own a copy of Radiant
Sky
yet, you can purchase
a copy here
or, if you're a Emailing List Member, in the
Member's Store located in the Member's Section.
In
Harmony
-Scott August
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