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NAF
MAJOR SCALES
In all of
the previous
articles about scales
we've delved a little bit into how major diatonic
scales are constructed but not how to play them.
Some of my students
asked me recently about how a major scale would be
fingered so I thought I'd make this available to
everyone.
The first
thing to remember is that the basic scale on a NAF
is a 5-note, or pentatonic 1-3-4-5-7 scale. The
so-called "Minor Pentatonic". Although for most of
you this is common knowledge, it's worth pointing
it out since any full diatonic (7-note) major scale
will have to have crossed fingering.
THE MINOR PENTATONIC SCALE
Very quickly
let's review the Minor Pentatonic
As most
of you know, this is pretty easy to play. Starting
with all the holes covered you lift one finger at a
time beginning with the bottom finger, working your
way up the flute, but never lifting the 4th hole
from the bottom. In this scale it always stays
covered.
A 6-NOTE MAJOR SCALE
If we want
to play a Major scale starting on the root note of
the flute (all holes covered) we can only get a
partial 6-note major scale.
As shown
in the fingering above, to get the second note of
this scale, the Major 3rd, there is a cross
fingering. Remember that the NAF is not able to
produce a 2nd above the root unless the player
half-holes the bottom hole. So we skip the 2nd of
the scale and go directly to the third. In this
scale it is a Major 3rd, a half step higher than
the minor third of the basic pentatonic scale. That
is why the second note has a # symbol in front of
it. To tell the player to raise the pitch a half
step.
Next the
bottom hole is uncovered to get the 4th. After that
the fingering is very straightforward, the player
uncovers each hole, right up the flute until
crossing the fingers to get the octave.
In truth,
this is a Hexatonic (6-note) scale. However, it is
not a common scale in Western music.
THE FULL DIATONIC MAJOR SCALE
In order to get a full 7-note diatonic scale we
need to start on the second note of the NAF basic
scale, the minor 3rd.
By
starting on this note we are now making it the root
of this scale, even if it is not the root of the
flute itself. Basically put, most Western
instruments can play in all 12 keys (and their
scales). The root of each scale is determined by
the key in which they are playing at any given
time. In other words the root is not based on the
lowest note of the instrument, but the scale or key
a song is written in. NAFs, having a limited range
and number of notes usually only play in key a
specific flute is made in and can't move the
root.
This
scale is one of the few exceptions. Also, If you
have any knowledge about music you know that
relative major and minor keys are a minor 3rd
apart, the same distance between the first and
second notes on a NAF! So this makes perfect sense.
If you don't get that don't worry. It has nothing
to do with being able to play this
scale.
I won't
go into too much detail about this, the TAB should
explain it farily well. There is a good amount of
cross fingering and the last two notes are
obviously over-blown, and while the majority of my
flutes use the fingering shown above to get these
two notes, a few do not. Your results may
vary...
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A big
thank you to Robert
Gatliff
for
the use of his TAB finger symbols
©
2011 Cedar Mesa Music. All rights
reserved.
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